Horror

The rage virus never really left Britain, and a new generation has to cross what is left of it. Danny Boyle's 2025 return is not a cozy night.

A family lives in silence because the slightest sound gets you killed. It is tense, and it is also about parents trying to keep their kids alive.

A commercial crew answers a distress call and finds something that does not want to be rescued. Ridley Scott's 1979 film is still the cold standard for science fiction that wants to scare you.

Young miners on a forgotten station crack open a lab they should have left shut. The 2024 chapter is mean, practical, and very much an Alien movie.

Ripley goes back, this time with Marines who think guns will be enough. James Cameron turns the nightmare into a war film, and both halves still work.

A doll in a nursery is a terrible idea, and this movie agrees. A Conjuring-side ghost story on Max for people who want the lights low.

A man goes to a remote island cult to find his sister and stays long enough to regret the boat. Netflix, folk horror, and no happy hymns.

She arrives at a rental house that already has a guest, and the basement is worse. A 2022 horror film that changes shape halfway through. Don't read ahead.

Something outside makes you look, and looking is the end. Sandra Bullock steers a boat blindfolded. It is a thriller wearing a horror coat.

A hurricane party turns into a whodunit the moment the lights go out. Mean, funny, and very online.

A weekend with friends gets ugly when one of them is not what she seems. Sharp, nasty, and newly on Hulu and Max.

A bride moves into a rotting mansion that bleeds, and Guillermo del Toro wants you to look at every wallpaper. Gothic, gorgeous, and on Netflix.

Friends, a cabin, a book that should have stayed in the cellar. The 2013 one does not wink. It just goes.

The cabin is gone. This time the book is in an apartment building, and the family is the problem. Short, loud, and on Max.

Death still keeps a list, and this 2025 chapter is back to the elaborate accidents. On Max, if you like your dread with a punchline.

A night security job at a pizza place where the animatronics do not stay on stage. PG-13, game-born, and on Peacock.

Guillermo del Toro's Frankenstein, on Netflix, treats the creature as a person the world refuses to look at. Long, sad, and made of weather.

A punk band takes a gig at the wrong club and then cannot leave. Patrick Stewart is not here to be kind. On Netflix and Tubi.

She is murdered, wakes up, and has to do the birthday again until she finds the killer. A horror comedy with a real pulse.

A family funeral opens a door that was already unlocked. Ari Aster's film is slow until it isn't, and then it stays with you. On Prime and Hulu.

Kids in Derry are being taken by something that looks like a clown when it wants to. The 2017 film is the one that understands the friendship.

The kids are adults now, and Derry still wants them back. Longer, messier, and still Pennywise.

A curse walks toward you at a steady pace, and you can pass it on or keep running. Simple, and hard to shake.

A beach town will not close the water, and the shark does not care about the holiday weekend. Spielberg's original, on Netflix.

A young FBI agent hunts a killer who seems to get into houses without opening the door. Maika Monroe, Nicolas Cage, and a very bad feeling. On Hulu.

A toy company builds a doll that bonds a little too well with a grieving kid. Funny until the head tilt. On Netflix.

Maxine wants to be a star in 1980s Hollywood, and a killer is editing her story. The end of Ti West's X trilogy, on Prime and Tubi.

A trip to a Swedish midsummer festival is bright, floral, and completely terrible. Daylight horror, on Prime.

Siblings on a horse ranch notice something in the sky that does not want to be filmed. Jordan Peele, spectacle and dread, on Netflix.

A psychic brings a wooden man to the house where her sister died. Irish, strange, and on Hulu.

Before she was the villain of X, Pearl was a farm girl who wanted the spotlight and would do worse than dance for it. Mia Goth, on Prime and Tubi.

A Predator story pointed at a new world, rated PG-13, and on Hulu in 2025. The hunt is the point. The landscape is the trap.

On the Great Plains in 1719, a Comanche hunter figures out she is not the only one tracking. The best Predator film in years, and it is on Hulu.

A motel, a shower, and Anthony Perkins being polite in a way that curdles. Hitchcock, 1960, on Netflix. You know the scene. The movie around it is better.

A wedding night game of hide and seek, except the in-laws are armed. Gory, funny, and on Netflix.

A new generation in Woodsboro learns the rules by breaking them. Ghostface is back, and Paramount+ has this chapter.

Two detectives follow a killer who is staging the seven deadly sins. Rain, boxes, and a film you should not spoil. On Paramount+.

Ryan Coogler's 2025 horror film, on Max. Twins, music, and something in the night that wants the room. Go in without a plot summary.

Eli Roth's slasher is set at Thanksgiving and it is not the family kind. On Hulu and Max, rated R, mean on purpose.

A boy is locked in a basement where the phone still rings, and the previous kids are on the line. Ethan Hawke, and it is on Netflix.

A therapist's family inherits a patient's monster. PG-13, Stephen King, on Netflix. Fine for older kids who want a real scare.

Five friends go to a cabin, and the people watching them have a job to do. A horror comedy that laughs at the genre and then commits. On Max.

The Warrens take a case that moves from a possession to a courtroom. The third Conjuring, on Max.

She leaves an abusive partner, and then something unseen starts rearranging her life. Elisabeth Moss, and the scare is the gaslighting. On Prime.

A exclusive dinner on an island where the chef has planned more than courses. Satire with a knife. On Netflix.

A prison is a vertical shaft, and the food only goes down. People at the top eat. People at the bottom wait. On Netflix.

A couple in a remote house, and someone knocks because they were home. The 2008 film is simple and mean. On Netflix.

A fading star takes a black-market treatment that grows a younger self, and the two of them cannot share a life. Demi Moore, body horror, on Hulu.

A father and daughter board a train just as the country starts to turn. Fast, sad, and the best zombie film a lot of us will admit to crying at. On Peacock.

Two nice guys with a vacation cabin get mistaken for killers by panicked college kids. A horror comedy that is actually kind. On Peacock and Tubi.

A family meets their doubles on a beach vacation, and the doubles did not come to talk. Jordan Peele, on Max.

A film crew rents a farm to shoot a movie the owners will not like. Ti West, 1979 Texas, and the start of the Pearl story. On Prime and Tubi.

Rules, Twinkies, and a road trip through the end of the world. Woody Harrelson and Jesse Eisenberg, on Max. A comedy that happens to have zombies.

The same survivors, a new kind of zombie, and the jokes still running. The sequel, also on Max.